1515 lines
34 KiB
Markdown
1515 lines
34 KiB
Markdown
|
|
|
|
Digital Video Camera
|
|
|
|
|
|
1. -D30 Digital Video Camera
|
|
|
|
|
|
DXC-D30WS
|
|
Betacam SP Camcorder
|
|
PVW-D30
|
|
Digital Camcorder
|
|
DSR-130
|
|
|
|
|
|
|
|
|
|
# DXC-D30
|
|
|
|
|
|
## DXC-D30WS
|
|
|
|
|
|
## PVW-D30
|
|
|
|
|
|
## DSR-130
|
|
|
|
|
|
## The Sony DXC-D30 is a bench mark setting digital video camera designed as a top-end model for video professionals. Incorporating
|
|
|
|
|
|
Sony's latest DSP (Digital Signal
|
|
|
|
|
|
Processing) technology based on Sony's
|
|
|
|
|
|
TruEye™ process, the DXC-D30 offers
|
|
|
|
|
|
the faithful color reproduction never
|
|
|
|
|
|
before experienced with conventional
|
|
|
|
|
|
analog or digital cameras. Drastic vertical
|
|
|
|
|
|
smear reduction and high sensitivity
|
|
|
|
|
|
achieved by the Power HAD™ CCDs
|
|
|
|
|
|
provide more shooting opportunities,
|
|
|
|
|
|
while maintaining superior picture
|
|
|
|
|
|
quality.
|
|
|
|
|
|
Now Sony introduces the DXC-D30WS
|
|
|
|
|
|
wide screen camera to Sony's
|
|
|
|
|
|
professional digital camera line-up. The
|
|
|
|
|
|
DXC-D30WS incorporates three Power
|
|
|
|
|
|
HAD WS™ CCDs which have been
|
|
|
|
|
|
specifically designed for a 16:9 aspect
|
|
|
|
|
|
ratio, switchable to 4:3. When shooting
|
|
|
|
|
|
in the 16:9 format, the DXC-D30WS offers
|
|
|
|
|
|
outstanding picture quality and
|
|
|
|
|
|
tremendous flexibility for a variety of
|
|
|
|
|
|
applications.
|
|
|
|
|
|
The DXC-D30 and DXC-D30WS are
|
|
|
|
|
|
cameras which fit the current analog and
|
|
|
|
|
|
digital acquisition systems as well as
|
|
|
|
|
|
Sony's new production system based on
|
|
|
|
|
|
the DVCAM digital recording format.
|
|
|
|
|
|
These cameras dock directly not only to
|
|
|
|
|
|
existing camera adaptors and analog on-
|
|
|
|
|
|
board VTRs via an analog interface, but
|
|
|
|
|
|
also to the newly developed Sony DSR-1
|
|
|
|
|
|
DVCAM Digital Recorder via a component
|
|
|
|
|
|
digital interface, "Pro 76-pin Digital"
|
|
|
|
|
|
connector.
|
|
|
|
|
|
The DXC-D30/D30WS also offers superior
|
|
|
|
|
|
in the operational convenience.
|
|
|
|
|
|
Responding to the increasing demands
|
|
|
|
|
|
from professionals, it provides a variety
|
|
|
|
|
|
of key automatic functions. With all
|
|
|
|
|
|
these features packed in its compact
|
|
|
|
|
|
camera body, the DXC-D30/D30WS
|
|
|
|
|
|
creates a new world of acquisition in
|
|
|
|
|
|
a wide spectrum of applications.
|
|
|
|
|
|
|
|
|
|
The DXC-D30 is a digital signal processing camera, and its sister
|
|
model DXC-D30WS is a wide-screen camera for the 16:9 aspect ratio
|
|
with a switching capability to also capture the image in a 4:3 aspect
|
|
ratio. Both models have the following features.
|
|
|
|
|
|
# Sony State-of-the-art Digital Camera Signal Processing Technology
|
|
|
|
|
|
The DXC-D30/D30WS incorporates state-of-the-art digital n High Stability and
|
|
camera processing technology which is designed to fully Uniformity
|
|
exploit the benefits of DSP (Digital Signal Processing). Having DSP technology, the DXC-D30/
|
|
D30WS assures a high degree of stability
|
|
|
|
|
|
n TruEye™ Process through its video output. The picture
|
|
|
|
|
|
The TruEye digital signal process employed in the DXC-D30/ tone is kept uniform among multiple
|
|
D30WS is a true innovation in camera signal processing, DXC-D30/D30WS's.
|
|
made possible by Sony digital signal technology.
|
|
In conventional RGB analog or digital processing, some n Detail Corrections by DSP
|
|
nonlinear signal processing occurs after gamma correction, Skin Detail with Auto Detection of Active Area
|
|
such as white clip and knee correction, and can result in hue The Skin Detail function in the DXC-D30/D30WS gives the
|
|
factor distortion - a phenomenon that is particularly obvious in subject a pleasing facial complexion, while maintaining the
|
|
extreme high-light conditions. This significant problem is sharpness of the other areas. The designated active area of
|
|
totally eliminated by the TruEye process which manages video Skin Detail can be set with the digital circuits by simply
|
|
signal data according to three factors - brightness, hue and adjusting the Area Detect Cursor on the viewfinder screen and
|
|
saturation - so that color in even a wide dynamic range can be SKIN SET button on a camera side panel. The color range of
|
|
reproduced as faithfully as by the human eye without hue the Skin Detail active area and Skin Detail level can be also set
|
|
factor distortion. by the viewfinder menu system. The range of color detection
|
|
Based on the TruEye system, the DXC-D30/D30WS also for detail correction is 360 degrees.
|
|
offers a unique feature called DynaLatitude™ which adaptively Black Halo-Free, Clean Detail
|
|
manages the contrast of each pixel according to a histogram of The DXC-D30/D30WS provides edges with a natural line and
|
|
video signal level distribution. The DynaLatitude feature appropriate thickness in areas with extreme dark-to-light or
|
|
brings a new dimension to other technologies such as light-to-dark transitions, by digitally optimizing the level of
|
|
Dynamic Contrast Control (DCC). The DynaLatitude feature detail signal to each of the transition points, not by just
|
|
optimizes video level distribution based on video signal clipping the detail signal. Consequently, the 'Black Halo' effect
|
|
histograms in order to utilize the limited dynamic range of the which is seen as thick black edges surrounding an extremely
|
|
video signal standard. bright object, as well as a stepping diagonal edge, have been
|
|
dramatically reduced.
|
|
|
|
|
|
n Real Time Self Diagnostics Red Vertical Detail Correction
|
|
|
|
|
|
Even though the DXC-D30/D30WS was designed to be highly The Vertical Detail Correction signal, which is digitally created
|
|
reliable, it employs a powerful self diagnostic system which from both the Green and Red signals, assures image
|
|
informs the operator, in real time, of the connecting conditions sharpness when shooting highly saturated subjects or subjects
|
|
of the LSI (Large Scale Integration) circuits and printed circuit bathed in red light.
|
|
boards, as well as electrical connection conditions between the Horizontal Detail Frequency Control
|
|
camera and a VTR. Even if the operator is not familiar with The Horizontal Detail Frequency can be controlled by the VF
|
|
digital circuitry, the DXC-D30/D30WS informs them of exactly Menu System according to the user's preference.
|
|
what is happening.
|
|
|
|
|
|
n High Picture Quality
|
|
|
|
|
|
The horizontal resolution and the signal to noise ratio of the
|
|
|
|
|
|
DXC-D30/D30WS are ranked among the highest in the
|
|
|
|
|
|
industry. The Modulation Depth of the DXC-D30 is 55%
|
|
(typical) at 5MHz and that of the DXC-D30WS is 70% (typical)
|
|
in the 16:9 mode. The newly developed digital circuits
|
|
drastically reduce the aliasing phenomenon, which was found
|
|
even in conventional digital cameras, while maintaining the
|
|
high resolution.
|
|
|
|
|
|
Power HAD CCD (DXC-D30 only )
|
|
The DXC-D30 incorporates three Power HAD CCD sensors.
|
|
These sensors feature a minimal smear level
|
|
conventional FIT CCDs, which addresses the tough
|
|
of the high-end production field. The total performance
|
|
Power HAD CCD sensor approaches that of the
|
|
|
|
|
|
|equivalent to demands|Programmable Programmable|
|
|
|---|---|
|
|
|of the|Auto Iris AGC DXC-D30 AE|
|
|
|standard FIT.|Auto Iris Conventional Camera|
|
|
|
|
|
|
n Low Smear Level
|
|
|
|
|
|
Vertical Smear Level of the DXC-D30 is -125dB which is the
|
|
same level as conventional FIT sensors. This feature will give
|
|
|
|
|
|
# DXC-D30
|
|
|
|
|
|
|||
|
|
|---|---|
|
|
|||
|
|
|
|
|
|
# DXC-D30WS
|
|
|
|
|
|
DSR-130
|
|
|
|
|
|
the operator more freedom to shoot subjects in high light
|
|
situations.
|
|
|
|
|
|
n High Sensitivity
|
|
|
|
|
|
The Power HAD sensor in the DXC-D30 achieves a high
|
|
sensitivity of F11.0 (at 2000 lx, 3200K) and minimum
|
|
illumination of 0.5 lx. This feature affords a greater
|
|
opportunity to shoot under extremely low-light conditions.
|
|
|
|
|
|
n High S/N Ratio
|
|
|
|
|
|
The improved CCD process combined with the camera's new
|
|
digital circuits means a reduction in CCD noise. The signal-
|
|
to-noise ratio is improved to 63dB, one of the highest
|
|
specification in the industry.
|
|
|
|
|
|
# Enhanced Ease of Operation
|
|
|
|
|
|
Responding to the increasing demands for more automatic
|
|
functions in a professional level camera, the DXC-D30/D30WS
|
|
boosts several new and improved functions sure to please the
|
|
most demanding camera person.
|
|
|
|
|
|
n Total Level Control System (TLCS)
|
|
|
|
|
|
Even if the incoming light exceeds the range of the automatic
|
|
iris control either above or below, by using the iris control in
|
|
combination with Auto Gain Control (AGC) and CCD AE (Auto
|
|
Exposure, the application of variable shutter of CCD), the
|
|
DXC-D30/D30WS offers proper picture exposure. This
|
|
function is called TLCS. While still maintaining low-noise
|
|
characteristics, TLCS affords ease of operation for this high-
|
|
end professional camera.
|
|
|
|
|
|
|
|
|
|
- n EZ Focus Function
|
|
|
|
|
|
EZ Focus is a function to assist focusing without stopping
|
|
down the lens. By just pushing the EZ Focus button, the iris
|
|
is automatically opened so that the depth of field is reduced to
|
|
make critical focusing easier. At the same time, the electronic
|
|
shutter is automatically set to obtain the correct light level.
|
|
The EZ Focus function is overridden while recording.
|
|
|
|
|
|
n New EZ Mode Function
|
|
|
|
|
|
Instantly setting a camera to a standard or an auto position is
|
|
done by simply pressing the EZ Mode button. The DXC-D30/
|
|
D30WS has two alternative EZ Modes - STANDARD or
|
|
CUSTOM. When set to CUSTOM EZ Mode, the camera setting
|
|
is changed in accordance with the selected setup file.
|
|
|
|
|
|
n Auto Tracing White Balance (ATW)
|
|
|
|
|
|
In the DXC-D30/D30WS, tracing of the white area in Auto
|
|
Tracing White Balance (ATW) is fast enough to meet
|
|
professional demands. In addition, the accuracy of the white
|
|
balance adjustment is enhanced.
|
|
|
|
|
|
# Enhanced Functions for Picture Creation
|
|
|
|
|
|
n Camera Setup Files
|
|
|
|
|
|
The DXC-D30/D30WS is equipped with a convenient
|
|
VF (Viewfinder) Menu System; a control menu with
|
|
superimposed characters on the VF screen. Depending on the
|
|
requirement, the menu contents can be selected with the
|
|
SETUP (STD/FILE) selector switch.
|
|
STD position (Standard VF Menu System)
|
|
When the SETUP switch is set to the STD position, setting of
|
|
the camera parameters or defining of the switch functions can
|
|
be done with the VF Menu System, the same way as with
|
|
conventional Sony cameras.
|
|
|
|
|
|
# FILE position
|
|
|
|
|
|
# (VF Menu System for File Management)
|
|
|
|
|
|
When the SETUP switch is set to FILE position, a total of eight
|
|
setup files can be used with the dedicated VF Menu System.
|
|
These files are as follows.
|
|
Factory Preset Files
|
|
Five Factory Preset Files are set by Sony to accommodate the
|
|
five most common lighting situations, such as STANDARD,
|
|
HIGH SATURATION and FLORESCENT.
|
|
User Files
|
|
Three User Files allow the operator to set camera parameters
|
|
which match their own particular shooting situations. User
|
|
Files can be easily made by modifying a Factory Preset File.
|
|
|
|
|
|
n Scene Files
|
|
|
|
|
|
With the optional Sony RCP-TX7 Remote Control Panel with
|
|
powerful remote capabilities, 16 scene files can be created and
|
|
stored. Almost all the parameters for camera operation and
|
|
camera set-up can be stored into scene files, and the most
|
|
suitable file for each shooting situation can be instantly
|
|
recalled using the menu button on the RCP-TX7.
|
|
|
|
|
|
n Setup Data Management with
|
|
DVCAM Cassette
|
|
|
|
|
|
The DXC-D30/D30WS combined with the DSR-1 has the
|
|
following camera data management;
|
|
SetupNavi™ - Camera Setup File Storage
|
|
The DXC-D30/D30WS combined with the DSR-1 has the
|
|
SetupNavi function to store the User Files or Factory Preset
|
|
Files of the DXC-D30/D30WS directly onto VAUX (Video
|
|
Auxiliary) data territory of the DVCAM cassette tape. The data
|
|
can be stored on or recalled from the tape via the VF Menu
|
|
System.
|
|
Using the DVCAM cassette as a medium, the setup data can
|
|
be transferred to other DXC-D30/D30WS's.
|
|
SetupLog™ - Automatic Recording of
|
|
Camera Setting Data
|
|
Even without using the file system, the information of each
|
|
setting parameter of the DXC-D30/D30WS for every shot is
|
|
automatically recorded by the DSR-1 on the VAUX territory in
|
|
each video track of the DVCAM cassette tape. This function is
|
|
called SetupLog. It is useful not only for the camera operator
|
|
if there is a need to re-take the same shot, but also for
|
|
checking the operating conditions during a particular shoot.
|
|
|
|
|
|
n File Management from Personal
|
|
Computers
|
|
|
|
|
|
The REMOTE connector (10-pin) of the DXC-D30/D30WS is
|
|
designed in accordance with the RS-232C standard. This
|
|
feature also makes it possible to manage the setup file data
|
|
from personal computers with proper Sony protocol.
|
|
|
|
|
|
# Convenient Features
|
|
|
|
|
|
n Remote Control of Hyper Gain
|
|
|
|
|
|
Hyper Gain is a convenient function for shooting under
|
|
extremely low-light situations without using a lighting system.
|
|
It instantly increases the gain-up value to be +36dB in total,
|
|
combining the electronic gain-up of +30dB and the Dual Pixel
|
|
Readout effects (equivalent to +6dB gain-up). The Hyper Gain
|
|
can be assigned to be the highest gain position (H) of the
|
|
GAIN selector switch (H/M/L). Consequently, Hyper Gain can
|
|
be switched on or off remotely from the RM-M7G, CCU-M5,
|
|
CCU-M7 or the CCU-TX7 system.
|
|
|
|
|
|
n Adjustable Black Stretch and
|
|
Compress
|
|
|
|
|
|
The contrast in the black area of the image can be adjusted by
|
|
the black stretch/ compress control function. Black Stretch
|
|
emphasizes the contrast in the dark areas, while Black
|
|
Compress enhances or deepens the darkness.
|
|
|
|
|
|
n Dual Zebra
|
|
|
|
|
|
The DXC-D30/D30WS has two types of zebra patterns -
|
|
'ZEBRA 1' and 'ZEBRA 2'. 'ZEBRA 1' can be set within a range
|
|
of 70 IRE to 90 IRE by 1 IRE. 'ZEBRA 2' provides a zebra
|
|
pattern in the area with more than 100% video level. Dual
|
|
zebra display - to show both ZEBRA 1 and 2 - as well as
|
|
display of either one is possible.
|
|
|
|
|
|
n Monitor Out
|
|
|
|
|
|
The DXC-D30/D30WS is equipped with a MONITOR OUT
|
|
connector (BNC). Via this connector, the user can check the
|
|
shooting conditions by displaying a color picture with
|
|
characters superimposed on a connected external monitor.
|
|
This is in addition to the image displayed on the unit's
|
|
viewfinder.
|
|
|
|
|
|
- n Others · Programmable Gain · Clear Scan (CLS) · Date & Time Superimposition · Built-in 1kHz Audio Reference · Adjustable Shoulder Pad · SMPTE/ SNG Color Bars
|
|
|
|
|
|
|
|
|
|
# System Versatility
|
|
|
|
|
|
n Dockable to a Variety of VTRs
|
|
|
|
|
|
The DXC-D30/D30WS is equipped with two types of
|
|
connectors - the new 'Pro 76-pin Digital' connector and the
|
|
conventional 'Pro 50-pin' connector. The Pro 76-pin Digital
|
|
connector supplies 4:2:2 10-bit component digital output,
|
|
which allows expandability for unlimited applications and
|
|
future digital interfacing, with a variety of devices. Via the Pro
|
|
|
|
|
|
76-pin Digital connector, the DSR-1 DVCAM Recorder can be
|
|
|
|
|
|
directly docked to the DXC-D30/D30WS. Through the Pro
|
|
|
|
|
|
50-pin connector, a variety of dockable analog video recorders
|
|
|
|
|
|
## 76-Pin
|
|
|
|
|
|
## 76-Pin, 50-pin
|
|
|
|
|
|
## 50-Pin
|
|
|
|
|
|
can be attached to the DXC-D30/D30WS.
|
|
|
|
|
|
DSR-1
|
|
|
|
|
|
DXC-D30/D30WS
|
|
|
|
|
|
PVV-3
|
|
|
|
|
|
n Supports Current CA and CCU
|
|
|
|
|
|
Via the Pro 50-pin connector, the CA-537/ 327/
|
|
325A/ 325B Camera Adaptors can also be used just
|
|
like the current camera system. Via the Pro 76-pin
|
|
Digital connector, the CA-TX7 Triax Adapter can be
|
|
connected. Sony's RM-M7G, CCU-M5, CCU-M7
|
|
and CCU-TX7 can also be used for remote control
|
|
operation.
|
|
|
|
|
|
## Use as a portable camera
|
|
|
|
|
|
DXF-41 or 51
|
|
(Large viewfinder)
|
|
|
|
|
|
C-74/ECM-670/ECM-672
|
|
|
|
|
|
(External Mic.)
|
|
|
|
|
|
COU-TX7
|
|
(Camera
|
|
Operation Unit)
|
|
|
|
|
|
EC-0.5C2
|
|
(Mic. cable)
|
|
|
|
|
|
CAC-12
|
|
|
|
|
|
Triax Cable
|
|
(Max.1500m)
|
|
|
|
|
|
(Mic. holder)
|
|
|
|
|
|
DXF-701WS
|
|
(Standard viewfinder)
|
|
|
|
|
|
CCA-7
|
|
(Max. 50m)
|
|
CCU-TX7
|
|
(Camera Control Unit)
|
|
|
|
|
|
RCP-TX7
|
|
(Remote
|
|
Control Panel)
|
|
|
|
|
|
RM-LG1 CA-TX7
|
|
|
|
|
|
DXC-D30/D30WS
|
|
|
|
|
|
(Camera head)
|
|
|
|
|
|
## VCL-918BY
|
|
|
|
|
|
CCU-M7
|
|
(Camera Control Unit)
|
|
|
|
|
|
CCZ-A
|
|
(Max.300m)
|
|
|
|
|
|
(Zoom lens)
|
|
|
|
|
|
n With Personal Computers
|
|
|
|
|
|
The 10-pin connector (REMOTE Connector) for the
|
|
RM-M7G and RCP-TX7 is designed in accordance
|
|
with the RS-232C standard. This allows the
|
|
|
|
|
|
CCA-7
|
|
|
|
|
|
CCU-M5
|
|
(Camera Control Unit)
|
|
|
|
|
|
CCZ-A
|
|
(Max.300m)
|
|
|
|
|
|
CAC-4 CCA-7
|
|
(Chest pad)
|
|
|
|
|
|
VO-8800
|
|
|
|
|
|
CCZQ-A
|
|
(Max.10m)
|
|
|
|
|
|
(U-matic recorder)
|
|
|
|
|
|
VCT-U14
|
|
(Tripod adaptor)
|
|
|
|
|
|
DXC-D30/D30WS to be remotely controlled from an
|
|
|
|
|
|
external personal computer with proper Sony
|
|
protocol.
|
|
|
|
|
|
RM-M7G RCP-TX7
|
|
(Remote controller) (Remote Control Panel) CA-537 CCZQ-A
|
|
(Max.10m)
|
|
|
|
|
|
S-VHS portable VTR or
|
|
EVV-9000 + VA-90
|
|
|
|
|
|
## Camcorder operation
|
|
|
|
|
|
BVW-50
|
|
(Betacam SP recorder)
|
|
|
|
|
|
CCZ-A
|
|
(Max.10m)
|
|
|
|
|
|
PVV-3
|
|
(Betacam SP 2000PRO
|
|
recorder)
|
|
|
|
|
|
CCU-M5
|
|
(Camera Control Unit)
|
|
|
|
|
|
CCQ-AM
|
|
(Max.100m)
|
|
|
|
|
|
DSR-1
|
|
(DVCAM recorder)
|
|
|
|
|
|
VO-8800
|
|
|
|
|
|
CCQ-BRS
|
|
(Max.10m)
|
|
|
|
|
|
(U-matic recorder)
|
|
|
|
|
|
EVV-9000
|
|
(Hi8 recorder)
|
|
|
|
|
|
S-VHS portable VTR or
|
|
EVV-9000 + VA-90
|
|
|
|
|
|
CCQ-BRS
|
|
(Max.10m)
|
|
|
|
|
|
## n VCL-918BY Inner Focus Zoom Lens
|
|
|
|
|
|
To meet the enhanced performance of the DXC-D30/
|
|
D30WS, the Sony VCL-918BY x18 zoom lens is
|
|
newly incorporated as their standard lens. Its inner
|
|
focus adjustment method and excellent performance
|
|
will further expand acquisition applications of the
|
|
cameras.
|
|
|
|
|
|
CA-327
|
|
|
|
|
|
SONY
|
|
|
|
|
|
Hi8 or
|
|
|
|
|
|
Y/C cable
|
|
|
|
|
|
0:00:00
|
|
|
|
|
|
S-VHS VTR desk
|
|
|
|
|
|
Monitor
|
|
|
|
|
|
Y/C cable
|
|
|
|
|
|
## Industrial use
|
|
|
|
|
|
AG-7450/7450A
|
|
(Panasonic
|
|
|
|
|
|
Video recorder
|
|
|
|
|
|
S-VHS recorder)
|
|
|
|
|
|
Graphics
|
|
capture
|
|
computer
|
|
|
|
|
|
CA-511
|
|
|
|
|
|
CA-512P
|
|
|
|
|
|
DNV-5
|
|
(Betacam SXTM recorder)
|
|
|
|
|
|
CA-511 BVV-5
|
|
(Betacam SP® recorder)
|
|
|
|
|
|
CA-513 BR-S422U
|
|
(JVC S-VHS recorder)
|
|
|
|
|
|
CA-325A AC
|
|
|
|
|
|
Video recorder
|
|
|
|
|
|
BC-1WD
|
|
(Battery Charger)
|
|
|
|
|
|
NP-1B
|
|
(Battery)
|
|
|
|
|
|
CA-325B
|
|
|
|
|
|
Graphics
|
|
capture
|
|
computer
|
|
|
|
|
|
AC
|
|
|
|
|
|
LC-421
|
|
|
|
|
|
LCR-1
|
|
(Rain cover)
|
|
|
|
|
|
(Carrying case)
|
|
|
|
|
|
CMA-8A
|
|
(AC power adaptor)
|
|
|
|
|
|
|
|
|
|
In addition to the features described
|
|
previously, the DXC-D30WS has the
|
|
following features.
|
|
|
|
|
|
# Power HAD WS™ CCD
|
|
|
|
|
|
The DXC-D30WS is equipped with three chips of newly
|
|
developed 2/3-inch Power HAD WS IT CCDs with a high
|
|
packing density of 520,000 pixels (total)/ 480,000 pixels
|
|
(effective). Since the CCD is designed for the 16:9 aspect
|
|
ratio, with a capability to be switched to 4:3, high quality
|
|
images can be obtained in the 16:9 mode without any image
|
|
loss. High sensitivity of F11 (at 2000 lx, 3200K), remarkable
|
|
signal to noise ratio of 63dB and a virtually invisible smear
|
|
level of -120dB are achieved.
|
|
|
|
|
|
# DXF-701WS
|
|
|
|
|
|
The DXF-701WS is a new 1.5-inch black and white
|
|
viewfinder developed for the DXC-D30WS, with the
|
|
following features. The DXF-701WS can also be used
|
|
with the DXC-D30 in the 4:3 mode.
|
|
|
|
|
|
n Aspect Ratio Adjustment
|
|
|
|
|
|
With the DXF-701WS, the viewfinder scanning size can be
|
|
switched into AUTO or FULL, using the viewfinder control
|
|
menu. In AUTO mode, viewfinder scanning size is
|
|
automatically changed according to the camera aspect ratio
|
|
|
|
|
|
(4:3 or 16:9), as shown in (A) and (B). In FULL mode, the
|
|
|
|
|
|
image is displayed using the full size of the screen. This
|
|
means that the 16:9 image in FULL mode is vertically enlarged
|
|
as (C) shows, while the 4:3 image in FULL mode is the same
|
|
as AUTO mode (A). As a result, the shape in the 16:9 picture
|
|
captured in FULL mode is not exactly the same as what it
|
|
should be, but the use of the whole screen in FULL mode
|
|
provides greater viewing comfort.
|
|
|
|
|
|
n V/H Detail Control
|
|
|
|
|
|
Both vertical and horizontal detail levels can be variably
|
|
adjusted by the PEAKING potentiometer on the viewfinder
|
|
body, while monitoring the ratio of both detail levels.
|
|
|
|
|
|
n Two Red REC Tally Lamps
|
|
|
|
|
|
In addition to the standard REC tally above the viewfinder
|
|
screen, another REC tally is located below the screen to
|
|
prevent overlooking the REC tally indication. This second tally
|
|
lamp is ON/OFF switchable through the ADVANCED MENU.
|
|
|
|
|
|
# 16:9 and 4:3 Switchable
|
|
|
|
|
|
Thanks to the adoption of the new wide aspect CCDs and
|
|
digital signal processing, the DXC-D30WS can operate in both
|
|
|
|
|
|
16:9 widescreen and conventional 4:3 mode without any
|
|
|
|
|
|
additional conversion equipment.
|
|
|
|
|
|
# 16:9 ID Pulse
|
|
|
|
|
|
When shooting 16:9 images, the DXC-D30WS automatically
|
|
adds a wide aspect ID pulse signal, which indicates that the
|
|
picture is shot in 16:9 aspect ratio, on the video output signal
|
|
from the camera VBS OUT, MONITOR OUT and 50-pin/76-pin
|
|
interface. The 16:9 aspect ratio picture shot by the
|
|
|
|
|
|
DXC-D30WS can be recorded and played back with Sony
|
|
|
|
|
|
DSR-1/30/60/80/85 DVCAM Players/Recorders, SVO-5800
|
|
|
|
|
|
V-VHS Recorder, SVP-5600 S-VHS Player and all types of
|
|
|
|
|
|
UVW/PVW Players/Recorders.
|
|
|
|
|
|
# Selectable Preset White Balance
|
|
|
|
|
|
The color temperature of the preset white balance can be
|
|
switched to conventional 3200K or 3000K. This makes it
|
|
possible for the DXC-D30WS to capture natural color
|
|
reproduction even under a low color temperature lighting
|
|
condition.
|
|
|
|
|
|
AUTO/FULL mode in 4:3
|
|
|
|
|
|
AUTO mode in 16:9
|
|
|
|
|
|
FULL mode in 16:9
|
|
|
|
|
|
Figure (A)
|
|
|
|
|
|
Figure (B)
|
|
|
|
|
|
n TAKE Tally Lamp
|
|
|
|
|
|
The DXF-701WS also has a TAKE tally lamp for use with the
|
|
ClipLink system. The TAKE tally can also be used as a second
|
|
tally lamp for CCU operations.
|
|
|
|
|
|
n Reliable and Ergonomic Design
|
|
|
|
|
|
A diecast aluminum body makes the DXF-701WS extremely
|
|
durable. The viewfinder's position can be adjusted in a broad
|
|
horizontal plane according to the operator's preference. The
|
|
large diameter eye cup not only provides greater comfort but
|
|
also simplifies focusing. A wide range of diopter adjustments
|
|
(-3 to 0) is provided to compensate for differences in eyesight.
|
|
|
|
|
|
Figure (C)
|
|
|
|
|
|
|
|
|
|
# High Quality Betacam SP Camcorder
|
|
|
|
|
|
The PVW-D30 is a Betacam SP PRO2000 Camcorder
|
|
consisting of the DXC-D30 and the PVV-3 Betacam SP
|
|
Recorder. The high quality picture of the DXC-D30 can be
|
|
directly recorded onto the Betacam SP format - one of the best
|
|
analog recording formats currently available in the
|
|
professional field. The status information and data from the
|
|
PVV-3, such as time code, recording audio level, remaining
|
|
battery power, and remaining tape time can be superimposed
|
|
on the viewfinder.
|
|
|
|
|
|
(Note: These features and functions are also available with the
|
|
|
|
|
|
DXC-D30WS when combined with the PVV-3.)
|
|
|
|
|
|
## Acquisition Tool for the DVCAM System
|
|
|
|
|
|
The DSR-130 Two-piece DVCAM Camcorder - the
|
|
combination of the DXC-D30 and the DSR-1 Digital Recorder
|
|
|
|
|
|
- is an acquisition tool based on the DVCAM recording format.
|
|
|
|
|
|
The following are the basic features of the DSR-130.
|
|
|
|
|
|
(Note: The following features and functions are also available
|
|
with the DXC-D30WS combined with the DSR-1.)
|
|
|
|
|
|
n DVCAM Recording Format
|
|
|
|
|
|
Sony's DVCAM recording format is designed for professional
|
|
use. While maintaining the playback compatibility with the
|
|
consumer DV recording format, higher picture quality is
|
|
achieved by the wider track pitch of the DVCAM format.
|
|
|
|
|
|
n Equivalent to One-piece Camcorder
|
|
|
|
|
|
The DXC-D30 and the DSR-1 have been carefully designed so
|
|
that the DSR-130 can operate just like a one-piece camcorder.
|
|
The recording status and the warning messages from the
|
|
DSR-1 can be superimposed on the viewfinder of the
|
|
|
|
|
|
DXC-D30. The body of the DSR-1 and the DXC-D30 are
|
|
|
|
|
|
made of magnesium, which makes the DSR-130 a lightweight
|
|
yet durable camcorder.
|
|
When recording with the DSR-1, both DVCAM Mini
|
|
Cassette tapes (PDVM -40ME/ 32ME/ 22ME/ 12ME or
|
|
PDVM-40N/32N) and DVCAM Standard Cassette tapes
|
|
(PDV-184ME/ 124ME/ 94ME/ 64ME or PDV-184N/ 124N/
|
|
64N) can be used without any adaptors. Maximum recording
|
|
time of PDVM and PDV tapes are 40 minutes and 184 minutes
|
|
respectively.
|
|
|
|
|
|
## Time Code Superimposed during Playback
|
|
|
|
|
|
For operational convenience while shooting, the time code is
|
|
superimposed on the viewfinder screen or MONITOR OUT
|
|
screen, even during playback.
|
|
|
|
|
|
## CH-1 Audio Level Control
|
|
|
|
|
|
The CH-1 audio level can be adjusted with the level control
|
|
located on the front panel of the DXC-D30 while recording with
|
|
the DSR-1.
|
|
|
|
|
|
## Edit Search
|
|
|
|
|
|
The DSR-1 incorporates an Edit Search function. Its control
|
|
button is located on the side panel of the DXC-D30 to afford
|
|
easy access while shooting.
|
|
|
|
|
|
## Freeze Mix Function
|
|
|
|
|
|
When the camera operator needs to shoot a subject in the
|
|
same framework as that of a previously recorded subject, it
|
|
was very difficult to perfectly place the subject in the same
|
|
position as the previous shot with conventional cameras. With
|
|
the DSR-130, a picture previously recorded on the DVCAM
|
|
tape can be superimposed on the viewfinder screen, so that
|
|
the camera operator can easily frame or position the subject
|
|
just like a previous shot.
|
|
|
|
|
|
|
|
|
|
# ClipLink System
|
|
|
|
|
|
The ClipLink system is a comprehensive shooting information
|
|
and image management system necessary for the total digital
|
|
production process, ranging from acquisition to editing. The
|
|
ClipLink system in combination with Sony's new digital video
|
|
products such as the DSR-130 Digital Camcorder, the Digital
|
|
VTRs (DSR-85/80/60), and the ES-7 EditStation™ System will
|
|
enhance the productivity and operating efficiency throughout
|
|
the entire video production process.
|
|
|
|
|
|
n ClipLink Data
|
|
|
|
|
|
The DSR-130 automatically generates two types of useful
|
|
information while shooting, which drastically reduces the work
|
|
traditionally required during the video tape editing process.
|
|
One is Index Picture which is a digitally miniaturized picture of
|
|
the video image of the "in" point of each shot - MARK IN
|
|
point*. Index Pictures are recorded on the DVCAM tape. The
|
|
other is shot information needed for the editing process, such
|
|
as reel number, scene number, take number, time code of
|
|
MARK IN/ MARK OUT point*, and OK/NG status. This
|
|
reference data is stored in the Cassette Memory of the DVCAM
|
|
Cassette Tape.
|
|
The combination of these two types of information is called
|
|
ClipLink data. The ClipLink data can be quickly uploaded to
|
|
the EditStation System from the DVCAM Digital VTRs, so that
|
|
the selection of usable shots can be done using only visual
|
|
ClipLink information displayed on the monitor of the
|
|
EditStation. The ClipLink system eliminates the work of
|
|
having to load all the shots on the tape to the EditStation
|
|
System.
|
|
|
|
|
|
n TAKE button
|
|
|
|
|
|
The DXC-D30 has a TAKE button on the front of the camera.
|
|
Depending on the situation, the user can assign it to operate
|
|
either in a MARK or a CUE mode using the VF Menu System.
|
|
In the MARK mode, it triggers to record the time code of
|
|
MARK IN or MARK OUT points* as well as an Index Picture of
|
|
the MARK IN point during shooting everytime it is pushed.
|
|
The MARK button is useful, for example, if the program
|
|
origination is based on a certain sequence.
|
|
In the CUE mode, the moment the recording is started or
|
|
ended is regarded as the MARK IN or MARK OUT point. In
|
|
addition to this, the time code of the CUE point** is recorded
|
|
by pushing the CUE button. Logging of the CUE point is
|
|
useful for shooting events where the shooting sequence is
|
|
undetermined or very changeable.
|
|
|
|
|
|
- * MARK IN/ MARK OUT point: Starting/ Ending point of a duration to be used for editing. In the ClipLink System, the Index Picture of the MARK IN point is automatically recorded as well.
|
|
|
|
- **CUE point: The point where an operator wants to review work at a later time. The CUE point does not accompany an Index Picture.
|
|
|
|
- n NG button
|
|
|
|
|
|
NG (No Good) status for each take can be input by pushing an
|
|
NG button on the DXC-D30 during or after shooting. Unless
|
|
the NG button is pushed, OK status is automatically input.
|
|
|
|
|
|
n RM-LG1
|
|
|
|
|
|
The RM-LG1 is a new Remote Control Unit specially designed
|
|
for the remote control of ClipLink and VTR REC operation. It
|
|
has two switches, which can be assigned by the operator from
|
|
four choices: VTR, MARK, CUE or NG.
|
|
|
|
|
|
||
|
|
|---|
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
|
|
|
|
- n ClipLink
|
|
|
|
- Basic Information in ClipLink Data
|
|
|
|
|
|
## Index Picture
|
|
|
|
|
|
## Time Code (OUT)
|
|
|
|
|
|
## Time Code (IN)
|
|
|
|
|
|
## Scene No.
|
|
|
|
|
|
1 00:01:01 00:05:22
|
|
|
|
|
|
2 00:05:23 00:18:20
|
|
|
|
|
|
## DSR-130 3 Digital Camcorder
|
|
|
|
|
|
00:18:21 00:24:13
|
|
|
|
|
|
Automatically
|
|
recorded.
|
|
|
|
|
|
ES-7 EditStation
|
|
|
|
|
|
## DVCAM or DV Cassette Tape
|
|
|
|
|
|
|
|
|
|
|!¡|||
|
|
|---|---|---|
|
|
||1||
|
|
||||
|
|
|!™|||
|
|
||||
|
|
|6|||
|
|
||||
|
|
||||
|
|
||||
|
|
|||!¢|
|
|
|DXC-D30 Series|||
|
|
|DXC-D30F1|DXC-D30K1|DXC-D30L1 DXC-D30H|
|
|
|1 DXC-D30 Camera Head Yes|Yes|Yes Yes|
|
|
|2 Camera Handle* Yes|Yes|Yes Yes|
|
|
|3 DXF-701WS Viewfinder Yes|Yes|Yes Option|
|
|
|4 External Yes|Yes|Yes|
|
|
|6 VCT-U14 Tripod Adaptor Yes|Yes|Yes Option|
|
|
|7 VCL-918BY Zoom Lens Yes|Yes||
|
|
|8 LC-421 Carrying Case Yes|Option|Option Option|
|
|
|!¢ RM-LG1 Unit Yes|Yes|Yes|
|
|
|DXC-D30WS Series|Series||
|
|
|DXC-D30WSL||PVW-D30F1 PVW-D30K1 PVW-D30L1|
|
|
|!£ DXC-D30WS Camera Head Yes 1|DXC-D30 Camera Head|Yes Yes Yes|
|
|
|2 Camera Handle* Yes !¡|PVV-3|Yes Yes Yes|
|
|
|3 DXF-701WS Viewfinder Yes !™|Handle for PVW-D30*|Yes Yes Yes|
|
|
|4 External Yes 3|DXF-701WS Viewfinder|Yes Yes Yes|
|
|
|6 VCT-U14 Tripod Adaptor Yes 4|External Microphone*|Yes Yes Yes|
|
|
|!¢ RM-LG1 Unit Yes 5|Shoulder|Yes Yes Yes|
|
|
|
|
|
|
Microphone*
|
|
Logger
|
|
|
|
|
|
Strap*
|
|
6 VCT-U14 Tripod Adaptor Yes Yes Yes
|
|
Option
|
|
Logger
|
|
|
|
|
|
|7 VCL-918BY Zoom Lens Yes Yes|
|
|
|---|
|
|
|8 LC-421 Carrying Case Yes Option Option|
|
|
|!¢ RM-LG1 Unit Yes Yes Yes|
|
|
|DSR-130 Series|
|
|
|DSR-130F1 DSR-130K1 DSR-130L1|
|
|
|1 DXC-D30 Camera Head Yes Yes Yes|
|
|
|9 DSR-1 Yes Yes Yes|
|
|
|!º Handle for DSR-130* Yes Yes Yes|
|
|
|3 DXF-701WS Viewfinder Yes Yes Yes|
|
|
|4 External Microphone* Yes Yes Yes|
|
|
|5 Shoulder Yes Yes Yes|
|
|
|6 VCT-U14 Tripod Adaptor Yes Yes Yes|
|
|
|7 VCL-918BY Zoom Lens Yes Yes|
|
|
|8 LC-421 Carrying Case Yes Option Option|
|
|
|!¢ RM-LG1 Unit Yes Yes Yes|
|
|
|
|
|
|
Strap*
|
|
Option
|
|
Logger
|
|
|
|
|
|
- *The microphone, shoulder strap and handles are available only as service parts.
|
|
|
|
|
|
|
|
|
|
||||||
|
|
|---|---|---|---|---|
|
|
|DSR-1|PVV-3|VA-300|EVV-9000|VO-8800|
|
|
|DVCAM Digital Recorder|Betacam SP 2000 PRO|Playback Adaptor for PVV-3|Hi8 Videocassette Recorder|Portable SP U-matic Recorder|
|
|
|DNV-5|BVV-5|RM-LG1|CCU-TX7|CA-TX7|
|
|
|Betacam SX Recorder|Betacam SP Recorder|Remote Control Unit|Camera Control Unit|Camera Adaptor|
|
|
|RCP-TX7 Remote Control Panel for|COU-TX7 Camera Control Unit for|RM-M7G Remote Control Unit|CCU-M5 Camera Control Unit|CCU-M7 Camera Control Unit|
|
|
|CA-537|CA-327|CA-325A|CA-325B|CA-511|
|
|
|Camera|Camera|RGB (AC|RGB (DC|Camera (for BVV-5 and|
|
|
||models with serial|above||DNV-5)|
|
|
||10270 can be used)||||
|
|
|CA-512|CA-513|NP-1B|BP-90A|DC-520|
|
|
|Camera Adaptor|Camera Adaptor|NiCd Rechargeable Battery|NiCd Rechargeable Battery|Battery Case to contain two|
|
|
||S-VHS BR-422U S-VHS|||NP batteries|
|
|
|on-board recorder)|on-board recorder)||||
|
|
|
|
|
|
# DC-500 Battery Case for BP-90A
|
|
|
|
|
|
# DC-210 Battery Case for BP-90A (Waist belt type)
|
|
|
|
|
|
# BC-1WD
|
|
|
|
|
|
Battery Charger for up to four
|
|
NP-1B
|
|
|
|
|
|
BC-410
|
|
Battery Charger for four BP-90A's and
|
|
four NP-1B's
|
|
|
|
|
|
# BP-L60/L90
|
|
|
|
|
|
Rechargable Li-ion Battery Pack (only
|
|
with the DSR-1, PVV-3 and EVV-9000)
|
|
|
|
|
|
|
|
|
|
||||||
|
|
|---|---|---|---|---|
|
|
|BKW-L601|BC-L100|DC-L1|DC-L90|CMA-8A|
|
|
|dockable VTRs|and|with BC-L100|BP-90A with BC-L100||
|
|
|EVV-9000)|||||
|
|
|AC-550|ECM-672|C-74|EC-0.5C2|CAC-12|
|
|
|AC Power Adaptor|Electret Condenser|Condenser Microphone|Microphone Cable|Microphone Holder|
|
|
|WRT-810A|WRT-820A|WRR-855A/810A (*)|DXF-701/701WS|DXF-41|
|
|
|||(For WRR-855A, BTA-801|||
|
|
|||Mount Adaptor is|||
|
|
|DXF-51 5-inch Monochrome|VCT-U14 Tripod Adaptor|CAC-4 Chest Pad|DR-100 Intercommunication|CCZ-A2/A5/A10 Connecting Cable (26-pin - 26-pin)|
|
|
|||||(*) WRR-855A/810A cannot be used in|
|
|
|
|
|
|
# CCZQ-A2/A5/A10
|
|
|
|
|
|
Connecting Cable (26-pin - 14-pin)
|
|
|
|
|
|
# LC-304SFT
|
|
|
|
|
|
Soft Carrying Case
|
|
|
|
|
|
Lenses (2/3-inch format lens)
|
|
|
|
|
|
# LC-421 Carrying Case
|
|
|
|
|
|
# LCR-1
|
|
|
|
|
|
Rain Cover
|
|
|
|
|
|
some areas.
|
|
|
|
|
|
# VCL-918BY A8.5 x 5.5 BEVM-28 A15 x 8BEVM-28 VCL-916BYA J15a x 8BIRS YJ18 x 9BIRS
|
|
|
|
|
|
(F1.8, 9 to 162 mm) (F1.7, 5.5 to 47mm) (F1.7, 8 to 120mm) (F1.8, 9.0 to 144mm) (F1.7, 8 to 120mm) (F1.8, 9 to 162mm)
|
|
|
|
|
|
|
|
|
|
1. -D30/D30WS Video Camera Head Sensing Sony Bayonet Signal system: system Scanning system: frequency: frequency: Sync system: signal Minimum illumination: 0.5 lx with F1.4, Hyper gain (30dB+DPR) Hyper gain Sensitivity: F11 at 2000 lx (3200K, 89.9% reflectance) (typical) Gain selection: -3dB, 0dB, +3dB, +6dB, +9dB, +12dB, +18dB, 18dB+DPR, Hyper speed (1/60.3 Signal-to-noise (typical) Registration: Geometric distortion: Below measurable level Video output: Camera head BNC connector: VBS: 1.0 Vp-p, sync negative 26-pin connector of CA-537 docked to DXC-D30/D30WS VBS: 1.0Vp-p, sync negative Y/R-Y/B-Y: Y: 1.0Vp-p, sync negative R-Y/B-Y: 700mVp-p RGB: 1.4Vp-p Y/C: Y: 1.0Vp-p, sync negative C: 286mVp-p Inputs/ Outputs: INTERFACE: Pro 76-pin Digital, Pro 50-pin VIDEO OUT: BNC-type MONITOR OUT: BNC-type LENS: 12-pin VF: DIN 8-pin, DIN 20-pin REMOTE1: Stereo mini REMOTE2: 10-pin Power requirements: DC 12V (10.5 to 17V) Power consumption: DXC-D30:12W (camera head only), 12.7W (with the DSR-1) DXC-D30WS:14.9W (camera head only), 15.3W (with the DSR-1) Operating temperature: -10˚C to 45˚C (14˚F to 113˚F) Storage temperature: -20˚C to 60˚C (-4˚F to 140˚F) Mass: DXC-D30 Approx. 2.3 kg (5 lb 1 oz) for camera head only Approx. 3.1kg (6 lb 13oz) with VF Approx. 4.3 kg (9 lb 8 oz) with VF and lens (w/o lens hood) DXC-D30WS Approx. 2.5 kg (5 lb 8 oz) for camera head only Approx. 3.3kg (7 lb 4 oz) with VF Dimensions (w/h/d): 121 x 206 x 273 (mm) 4 7/8 x 8 1/8 x 10 3/4 (inches) <Note> DPR is equivalent to +6dB gain up. 18dB+DPR: Equivalent to +24dB 24dB+DRR: Equivalent to +30dB Hyper Gain (30dB+DPR): Equivalent to +36dB
|
|
|
|
|
|
|Image device:|3-chip 2/3-inch, Interline-Transfer CCD|Power consumption:|24.8W (with DXF-701WS Viewfinder)|
|
|
|---|---|---|---|
|
|
|Optics:|F1.4 medium index prism system|Mass:|7.3kg (16 lb 2 oz) (incl. DXF-701WS viewfinder, microphone,|
|
|
|Effective picture elements:|768 (h) x 494 (v) (DXC-D30)||VCL-916BYA lens, NP-1B battery, videocassette, carrying handle)|
|
|
||980 (h) x 494 (v) (DXC-D30WS)|Operating time:|60 min.|
|
|
|Total picture elements:|811 (h) x 508 (v) (DXC-D30)|Dimensions (w/h/d):|121 x 206 x 344 mm|
|
|
||1038 (h) x 504 (v) (DXC-D30WS)||(4 7/8 x 8 1/8 x 13 5/8 inches)|
|
|
|area:|6.6mm x 8.8mm (DXC-D30)|||
|
|
||9.6mm x 5.4mm (DXC-D30WS)|||
|
|
|Built-in filters:|1: 3200K(D30), 3200K/3000K(DXC-D30WS)|Picture tube:|1.5-inch monochrome|
|
|
||2: 5600K+1/8ND|Scan size|4:3 (DXF-701), 4:3/16:9 Switchable (DXF-701WS)|
|
|
||3: 5600K|Indicators:|REC x 2, TAKE, BATT, SHUTTER, GAIN UP|
|
|
||4: 5600K+1/64ND|Resolution:|600TV lines|
|
|
|Lens mount:|2/3-inch mount|Power requirements:|DC12V|
|
|
||NTSC color|Power consumption:|2.1W|
|
|
||2:1 interlaced, 525 lines, 60 fields/sec.|Weight:|660g (1 lb 7 oz)|
|
|
|Horizontal|15.734 kHz|Dimensions (w/h/d):|Approx. 236 x 85 x 219 mm|
|
|
|Vertical|59.94 Hz|||
|
|
||Internal and External with the VBS or BS|||
|
|
|Horizontal resolution:|D30: 850TV lines|Focal length:|9 to 162mm|
|
|
||D30WS: 700TV lines (16:9), 700TV lines (4:3)|Zoom ratio:|18 x|
|
|
|Vertical resolution:|400TV lines (without EVS), 450TV lines (with EVS)|Zoom control:|Manual/ Motorized|
|
|
|||Maximum aperture ratio:|1:1.8 (f=9 to 117) 1:2.5 (f=162)|
|
|
||0.8 lx with F1.8, (30dB+DPR)|Iris control:|Manual/ Auto, selectable F1.8 to F16 and C (Close)|
|
|
|||Range of object field:|W(Wide angle): 782 x 592 mm (31 1/8 x 23 3/8 inches)|
|
|
|||(at a distance of 0.9m)|T(Telephoto): 45 x 34 mm (1 13/16 x 1 3/8inches)|
|
|
||+24dB, 24dB+DPR, Gain (30dB+DPR)|Minimum object distance:|0.9 m (35 1/2 inches)|
|
|
|Shutter selection:|OFF, 1/100, 1/250, 1/500, 1/1000, 1/2000 sec or CLS|to 1/200.3) Filter Thread:|82 mm P=0.75 mm (lens)|
|
|
|ratio:|63dB|Mount:|Bayonet mount|
|
|
||0.05% (all zones, without lens)|Mass:|Approx. 1.3kg (2 lb 14 oz) without lens hood|
|
|
|
|
|
|
PVW-D30 Camcorder
|
|
Power consumption:
|
|
Mass:
|
|
|
|
|
|
1. (with DXF-701WS Viewfinder)
|
|
|
|
|
|
8.1kg (17 lb 14 oz) (incl. DXF-701WS viewfinder, microphone,
|
|
|
|
|
|
1. -916BYA lens, NP-1B battery, videocassette, carrying handle) 60 min. 123 x 232 x 367 mm
|
|
|
|
|
|
(4 7/8 x 9 1/4 x 14 1/2 inches)
|
|
|
|
|
|
Operating time:
|
|
Dimensions (w/h/d):
|
|
|
|
|
|
Design and specifications subject to change without notice.
|
|
Power HAD, Power HAD WS, DVCAM, ClipLink, Clear Scan, Hi8, SetupNavi, SetupLog, Betacam SX,
|
|
EditStation and Betacam SP 2000PRO are trademarks of Sony Corporation.
|
|
Sony and Betacam SP are registered trademarks of Sony Corporation.
|
|
|
|
|
|
# Distributed by
|
|
|
|
|
|
DSR-130 Camcorder
|
|
|
|
|
|
VCL-918BY Zoom Lens
|
|
Dimensions:
|
|
|
|
|
|
Approx. 122 x 102 x 219.7 mm
|
|
|
|
|
|
(4 7/8 x 4 1/8 x 8 3/4 inches) with lens hood
|
|
|
|
|
|
# LC-421 Carrying Case Mass: Dimensions (w/h/d):
|
|
|
|
|
|
Approx. 7.7kg (17 lb)
|
|
Approx. 790 x 440 x 340mm
|
|
(31 1/8 x 17 3/8 x 13 1/2 inches)
|
|
|
|
|
|
# Dimensions
|
|
|
|
|
|
# DXC-D30/D30WS
|
|
|
|
|
|
# PVW-D30
|
|
|
|
|
|
242 (9 5/8)
|
|
|
|
|
|
164 (6 1/2)
|
|
|
|
|
|
242 (9 5/8)
|
|
|
|
|
|
609 (24)
|
|
|
|
|
|
273 (10 3/4)
|
|
|
|
|
|
367 (14 1/2)
|
|
|
|
|
|
480 (19)
|
|
|
|
|
|
# DSR-130
|
|
|
|
|
|
242 (9 5/8)
|
|
|
|
|
|
586 (23 1/8)
|
|
|
|
|
|
344 (13 5/8)
|
|
|
|
|
|
MK4246/2OHB-9801
|
|
|
|
|
|
# Printed in Japan ©1998 Sony Corporation
|
|
|
|
|